Essays with Guffogg

Posts tagged #color
SHANE GUFFOGG: COLOR Part 4

Shane Guffogg: Color Part 4
The beginning of the twentieth century

(Conversation between Victoria Chapman and Los Angeles based artist, Shane Guffogg continues

As we continue with the discussion on color, in part 4, we look at color opening new possibilities at the beginning of the 20h century. During the early 1900s, Pablo Picasso and Henri Matisse were known to be rivals. Matisse was leading the charge of Fauvism, the term that translates to “wild beasts” and represents the movement’s vibrant usage of strong color. During this time, Picasso had abandoned the Blue period, launching himself into a new palette, coined the Rose period, only to be followed by yet another shift in his work, due in part, to Matisse. Henri Matisse received a lot of attention for the paintings he was creating – some of the criticism scathing, some not. Picasso had his own reaction, as he began to create works that simply lacked color. But there is much more to this story and I asked Shane Guffogg his thoughts on these two giants of the 20th-century art world. The artist shares his ideas on the subject while revealing what influences his choice of colors. Guffogg’s answers are insightful, revealing yet another layer about his own work.

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SHANE GUFFOGG: COLOR Part 3

(Conversation between , Victoria Chapman and Los Angeles based artist, Shane Guffogg continues)

VC: Have you ever thought about who created the first abstract painting and why? To me, abstract painting represents something cerebral. The colors often portray a significant role, which then guide our emotions to think or feel a certain way. In some cases, there is an interweaving of borders that are made of divisions of colors or shades of non-color. It can be a type of landscape waiting to be discovered or a junction willing to begin a new path. I often wonder, how does this come about? I asked Shane and he answered me by explaining,

Shane Guffogg: “Wassily Kandinsky was known to be the first abstract painter, If you really think about what abstraction is and break down the word abstraction, it means, something pulled or drawn away. That is exactly what J.M.W. Turner (1775- 1851), did; he abstracted moments in time.”

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SHANE GUFFOGG: COLOR Part 2

(Conversation between , Victoria Chapman and Los Angeles based artist, Shane Guffogg continues)

It's hard to believe before the 1800's artists were for the most part using color as an intrinsic property of an object. During the French Impressionist era, this changed, as artists began to use color and light to investigate emotion. Claude Monet's paintings of haystacks are a good example of this. Being present in the flutter of the modern world, it's unimaginable to think that what see today has not always been, but rather, it evolved with the passage of discovery.

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SHANE GUFFOGG: COLOR - Conversations about color and how it has influenced the artist's work

(Follow me as I research the origins of color and discover how it has inspired the work of Los Angeles based artist Shane Guffogg) - Victoria Chapman

About six months ago I listened to a podcast about color and it really got me thinking about the history of art and Guffogg’s paintings. Working amongst them in the studio, I started to contemplate how the artist uses color to create his visual poetry. The subject of color in art is vast. I began to research it from the beginning and the parts I became particularly interested in, I wrote notes about, and proposed questions to the artist.

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